More things you didn’t know about Plaza Mayor

Plaza Mayor has a much darker past than you would imagine from the fun and festivities that fill the square these days. In the 17th and 18th Centuries it was the regular location for autos-de-fé, public condemnations for crimes against religion during the Inquisition. Prisoners sentenced to blasphemy, adultery, witchcraft and other crimes were burned, flogged, or banished to the underground labyrinth of prisons under the square.

Looking at the front of this Irish Pub off the Northeast corner of the plaza, you would have no idea that a former Inquisition-era torture chamber is just down the stairs inside.

We ventured down, as the Irish bartender explained that, yes, in fact this is where many prisoners were kept and tortured. He added that many were forced to eat the bodies of their dead companions if they didn’t want to starve. Dean and I both noticed that the room felt really heavy, even with the jolly looking kegs of beer and new paint job. The bartender noted that they chose the color red for the new paint based on the secret history the room. Creepy.

Winding around to the Southwest corner of the square, there is a long and narrow set of stairs known as the Arco de Cuchilleros, leading down to Calle de los Cuchilleros or Knife-Grinders Street. The small pulpit that you can see in the photo above on the right is famous as the location where a friar gave a speech in 1808 to incite a citizen revolt against the occupying French.

As you wind down the stairs to the right is the well-known restaurant and tourist destination dedicated to a 19th century swindler.

In 19th century Madrid, there was an infamous bandit named Luis Candelas. He was known throughout Spain as a crafty gentleman and highway robber, who could steal anything and escape from anywhere. He was sensationalized in the press and romanticized in songs and films. Maybe it’s this romantic view of robbery that encourages the ever-present Madrid pickpockets. Personally, I see nothing romantic about getting your stuff stolen. Anyways. The restaurant that’s now near where he and his gang used to hang out is called Las Cuevas de Luis Candelas, and the waiters actually dress like bandits as well. Slightly unnerving, but the space is very interesting – a labyrinth of caves and cellars inside. The illustrations on the walls tell the tall tales of Candelas’ adventures, and huge barrel vaulted ceilings and walls are covered with trinkets and memorabilia of the gentleman bandit’s life of crime.

Walking down Calle Toledo just South of Plaza Mayor brings us to the Plaza de la Cebada, which became the regular location for public hangings and garrotings after 1790. Public executions were a popular source of entertainment for hundreds of years in Europe, with flocks of people surrounding the square and watching from the wooden tenements above. Maybe the modern equivalent is watching violence and murder on TV, so no need for public violence anymore? The fountain in the center of the rotary (above) is quite unusual – it used to provide drinking water to city residents.

To our left a tiny side street leads to the Plaza de Coscorro, with an interesting statue of a man carrying a box and torch with a rope tied around his chest. This is Eloy Gonzales, an orphan and jailbird who joined the Spanish fight in Cuba and offered himself in a suicide mission. The box contains gasoline, which he used to burn down the Cuban stronghold under the cover of night. He only agreed to do it if they would then drag his lifeless body back to the Spanish side out of enemy hands, in order to have a proper burial. He was seriously wounded but the Spaniards were able to drag him back to their side alive. He survived for only nine months after, dying as a result of his wounds just after receiving the medal of honor.

Just beyond the statue stretches a long, overwhelming sea of people and vendors selling what seems like mostly scarves and T-shirts. It’s worth a visit if only to ogle at how many masses of people are there. This is El Rastro, Madrid’s largest flea market. The name translates to “stain” or “trail of blood” because originally it was the site of a slaughterhouse in the 17th and 18th century. People would drag the animal carcasses down the street and the blood would stain the ground.

A nice discovery slightly off the beaten track is the small square, Plaza General Vara del Rey with very different types of vendors than the main drag. There are tables dedicated to rocks and minerals, and lots of antique decorative arts, lamps, chests and trinkets. Also in the area you can find vintage office equipment like typewriters and rolltop desks, and a telephone museum with gramophones and antique radios. There are also high quality antique galleries in indoor locations along the trail.

And these guys were a pretty random surprise, tucked into the square of a long-abandoned building in the La Latina neighborhood, very close to the flea market.

Things you probably don’t know about Plaza Mayor

Plaza Mayor is the busiest place in Madrid, maybe with the exception of Plaza del Sol. There are a million tourists, street performers, Spaniards with their children, and of course the ever present pick-pockets. I was overwhelmed by this area when we first visited because places like this remind me of Times Square in New York – there is so much visual stimulation, so many sounds, and so many crowds of people, that you can’t understand anything else about the place. I prefer the quiet, off-the-beaten-track streets. Nonetheless, I was reading in my new favorite book about Plaza Mayor the other day, and decided to go on a historical tour.

First stop, however, was for a bocadillo de calamares. This is the spot to get them, except I heard that the best bocadillo de calamares can be found near the train station on Atocha. I’ll have to check that out. Bar La Ideal is just outside the Plaza Mayor on the Southeast corner. It’s the entrance that is closest to our house, thankfully, so I don’t have to walk too far for my bocadillo. I should mention that in English it’s a Fried Calamari sandwich. Yes, this is very normal in Madrid, to eat fried things on bread. One of my favorite things is fried calamari, and one of my other favorite things is bread, so I’m happy here.

This is what it looks like inside the joint.

This is some other stuff they offer, clearly not on my list of things to try.

There’s an interesting story about the equestrian statue in the center of Plaza Mayor. It’s a large cast-iron horse with Felipe III mounted on top, looking especially imposing with his sword and 17th century armor. But little do people know that the horse was actually a cemetery for dozens of sparrows who were “eaten” by the noble steed.

Now its mouth is soldered closed, but originally the horse’s mouth was open just enough for a tiny bird to fly in. Once the bird perched on the mouth and then flew inside, they fluttered around in the dark bowels of the horse trying to find a way out but their wingspan was too wide to make it back out. And so sealed their fate. For hundreds of years, no one knew about the sparrow death trap, until the militant uprising in 1931 when a small bomb was thrown inside the horse’s mouth and suddenly hundreds of bird bones filled the sky of Plaza Mayor.

Next on the tour is the narrowest house in Madrid, measuring 15 meters. It’s not that narrow, actually, compared to some of the tenement housing in New York City, but still an interesting landmark. And the decorative lights on the street are beautiful.

The address is Calle Mayor 61, and it is the former home of the Spanish author Pedro Calderón de la Barca. I mentioned the town historian Ramón de Mesonero Romanos in a previous post, who tried to save Cervantes house from being torn down. Well, after that defeat, he wasn’t going to take no for an answer this time. He was an old man by this time, and he literally went to the site of the house and physically blocked the demolition crew’s sledge-hammers by swinging his cane at them. He kept guard until nighttime and then drafted a petition in the morning, which successfully halted the demolition and thus preserved the historical building.

Great videos from Death cab for Cutie and La Roux

I guess they filmed this entire video in one shot. Impressive. I especially like the projections behind the band near the end of the song.

I also wanted to include the La Roux video, Bulletproof, but they disabled embedding. Sigh. Well you can see the video on youtube here. My favorite part is after about 2:30, when the geometric rainshower comes crashing down around her and then the screen is broken up into fragmented mirror pieces. Does a broken mirror make her seem more bulletproof? I’m not sure. Well, even if the video doesn’t relate to what she’s singing it still looks cool.

Creepy dollhouse and even creepier story

In the North-east corner of the Plaza de Cibeles, which I wrote about earlier, there is an imposing building, the Palacio de Linares, which was restored in the 1990’s to its current incarnation as the Casa de América. During construction in 1990, there were many odd occurrences in the house. Doors were opening by themselves, light footsteps of children and sometimes loud shrieks could be heard all centered around the human-scale dollhouse attached to the front of the mansion.

A drove of paranormal experts descended on Madrid to investigate, and one parapsychologist apparently recorded the young, frail voice of a mother that said this:
My daughter is at rest.
My daughter Raimunda,
I never heard her say mommy.
Murderers, murderers!
We are here to stay for eternity.

The newspapers in Madrid were all over this story, and soon the talk of the town became “Is the Palacio de Linares haunted?” “Who was Raimunda and was she murdered?”

Many legends emerged, including those of incest, murder and deformed babies. None of them were true however. The true story is that the Marqués de Linares built the lavish mansion with his wife in 1871, and once the building was complete they decided to adopt a child. He had made a great fortune building the first railroad in Cuba, and returned to Spain lavishing money on those in need. They even created a creepy life-sized doll house for their adopted daughter to play in. Honestly I don’t blame the builders for being creeped out by this place. I wouldn’t want to be there in the middle of the night either.

Oh, and the parapsychologist who supposedly recorded the words above was arrested for falsely claiming to be a doctor, and writing phony checks.

Now the Casa de América has exhibitions, performances and film screenings focusing on Latin American history and culture. I saw a great photography show here, with work from many great artists including Frida Kahlo. The address is Paseo de Recoletos 2. Thanks again to Madrid Ocultos for the story!

Things I learned in school

Tomorrow at work I have a thirty minute presentation (mostly in Spanish) about myself, what I’ve learned in my life so far, and the work I do outside of Base. Especially since it’s the end of the year, it feels like quite a fitting time to look back at my years at school and summarize what I’ve learned. Right, isn’t this the time when everyone looks back and evaluates their past year?

In May I graduated from Pratt Institute with an MFA in Communications Design. My education challenged many of my belief systems and also the way I see and think about the world around me. I’m sure a year from now or five years from now I will be able to analyze what I learned even better but here are my three bullet points to organize some of what I learned in school.

IDEA
The idea is the most important. The concept needs to drive the work, otherwise it is just not as truthful. The medium is the message, so the final form needs to express the meaning of your concept. In fact, maybe the most important thing I learned in school is the way you phrase your idea actually makes all the difference in the way people will respond to it. One word can change your entire meaning.

PROCESS
Appreciate the journey, document the process. Looking back on my sketches and scrawled notes, blog posts, saved images and video – the building blocks – helps me to understand the big picture of where I’m going with an idea. Sometimes you have to get messy in order to get somewhere, but it helps to be organized with your messiness.

DON’T BE PRECIOUS
Ok, I actually learned this during work on freelance projects, but it was during school so it counts as something I learned in school. I will always remember my experience working for the art director at Bard Graduate Center. He told me to create an 11 x 17 document and just try a million different options for each of the infographics I was working on. Then I would show him what I did and he’d tell me to make more. You can’t be precious with your work as a graphic designer because it’s always going to change and it will always be a collaboration.

City Projects and Platforms for Social Interaction

Wierd. I’m finally using the new format for blogger and it’s really different. I feel like I’m typing into an open void. Well…

Anyways, I’m having a few ideas flying around in my head and I’d like to pin them down on the page. So I mentioned a few days ago that I have this idea. It’s an idea for a platform for people in Madrid to share their stories about the city. I’m fascinated by public spaces in the city and projects or artworks that can change our viewpoint, ideas or experience and an online public space can offer a similar transformation. It’s a catalog of the human experience in the city, documenting places, streets, people, and events real and mythological. With a tapestry of contributions it will feel like the city is speaking through the cracks in the sidewalks.

Some existing projects that inspire:
Jeremy Dalmas: I’ve posted this before but it’s a wonderful audio journey through the mythological undercurrents of lower Manhattan.

Side note on mythology: I’m reading Roland Barthes’ Mythologies, which is an in-depth analysis of every popular belief structure on everything from everyday items to overarching concepts. For example, the chapter I just read was on the strip-tease – its origins and meanings. The book was written in 1957 so some of his references are dated, but it makes you look very closely at our world and the beliefs we take for granted. Many of the assumptions we make about our surroundings, rituals and objects are in fact a product of our society and upbringing. He has an enjoyable way of dissecting what people experience on a daily basis, and offering fascinating new meanings for many things that surrounds us.

Carolina Melis: A motion designer who has been commissioned to create an animated video to tell the story of the Ham House garden near the Thames in Richmond, UK. She will work with a historian and offer workshops on the property for people who are interested in the innovative garden design, created by Elisabeth Dysart in the 17th Century. The film will premiere on animateprojects.org in April 2012, accompanied by site-specific installations and a program of events to educate and shift perception on this historic place.

Here is one of Melis’ recent videos on weavers in Sardinia, her home country.

The Art and Public Space research group at Gerrit Rietveld Academie in Amsterdam: This is a group that conducts research, organizes events and creates work and publications on the subject of the interaction of art and public space. They have done a lot of work in the Zuidas area of Amsterdam, which is the generic office park on the outskirts of the city that, like so many commercial developments, created massive empty and unused public spaces.

Media Lab Prado: in Madrid. This group studies the space where the digital, technological and social worlds intersect. There are some really confusing but interesting-looking projects on their program, and I plan on connecting with them once I have a firm grasp on the Spanish language (which is improving every day I’m happy to report).

THEN! Yesterday I discovered Jonathan Harris’ latest project. He wants to create a catalog of human experience through the contribution of various authors on his site, Cowbird. Omg if this site isn’t similar to the format I had in my head for my Madrid diary. I feel psychic. He’s been developing the site for two years, working at various residencies and locations around the world. He used Indie Maps, which is a great discovery except that they’re closed until next year. #*$@^!

COWBIRD.COM

Things I love about this website. The EXTRA focus on imagery, for one. Another cool detail is that the images drift slightly as you scroll down to read the story. There are capabilities to add audio with the story, here is a really interesting example of that. The stories are predominantly a kind of poetry, whether in prose form or in shortened stanzas. I can’t wait to see how this site develops. The first “saga” being recorded are the Occupy movements around the world. Ok, but how can you beat that? This may color the site a little too strongly/specifically for many contributors, but as more and more people contribute different content, I’m sure there will be greater variety of saga.

Harris worked at two locations in Iceland while he built the website, which is where the concept of the saga originated. When I visited Iceland earlier this year, I learned about the epic saga about Egil Skallagrímsson, Egil’s Saga. The tale develops over the course of Egil’s long life, covering various tales of battle, revenge, adventure and friendship. It’s considered one of the best Icelandic sagas.

So it’s quite fitting that Harris chooses to develop “sagas” with a patchwork strategy of various contributors from all corners of the globe. The sagas are accessed on the site through an easy-to-use tagging system. There are various ways to organize the info on the site actually. By diary (each writer gets a diary where all of their stories are housed), by character, by location, and then there are many individual meta tags for each story. The stories are also organized by most loved, most viewed, and other categories.

It’s a very ambitious project and has great potential. This is Harris’ first project that I know of which engages people on this universal level. Many of his other projects were artworks based on humans, more of an exploration of human experience from the objective view of the artist. This is a huge collaboration with people from all over the globe, and an opportunity for many story-tellers. Most of the social platforms that we have (Facebook, Twitter, etc) provide a space to contribute a short status update but beyond the individual blog there isn’t anything like this. Fast Company describes Cowbird as the “anti-Facebook”. The focus on slower storytelling, the unfolding of personal narratives, rather than quick updates on what’s happening in the moment certainly makes you stop and think about the current hurried state of the social space.

Some inspiration for this week and weekend

I have an idea. I’m designing it now but I really need some inspiration. Here’s what’s getting me going.

 Nomed font by Med Ness

Anton Pearson

Looks a bit like Verlag, no?

Rodrigo Maltchique Braga

Rodrigo Maltchique Braga

Images from designspiration.net (via my rss feed). I LOVE my iGoogle home page. In addition to my rss feed, Gmail, FB, twitter and HuffPo, I have weather.com – the temperature in New York City and also in Madrid. For most of the day Madrid is 10 degrees warmer. Not that it’s a competition or anything.

Process, Prism, Poster

As I develop the prism project, I’m looking back at the various flavors of prism in my sketchbook and computer files. I started going 3D in Google Sketchup, and now I’m extending the idea of the prism with representational drawings of the city with a particular emphasis on windows. Each prism has a unique code related to the current environment, time of day and sensation.

A poster (above), and some process sketches (below).